Okay, so
it's been a while. Sorry.
However... I
have an excuse for my long absence. Amongst other things, I've been writing a
new book. In its way, it's a sequel to 'The Written World' (i.e. 'Unreliable
Histories' and 'The Endless Land'), except that it involves none of the
original characters. Oh, and the world they inhabited has changed beyond all
recognition. I don't know if that meets any of the formal criteria for a sequel
- possibly not - but I don't suppose it really matters.
Anyway, I've
just sorted out the new cover. And here it is.
So yes, as
you can see, it's called "Shelf Life: the book of better endings." It's
the story of a young bookseller named Cathy Finn who gets dragged off to a
strange new world on the day that someone rather unhelpfully tries to kill her.
She doesn't want to be there - she wants to get home to save her family - but
over four centuries of history tells her that no one ever gets to return. It's
a world of evacuees, you see; a place set up for the specific purpose of homing
people who were supposed to die in their own original narratives.
And yes,
people here are consciously talking about 'original narratives'. They've recognised
that all worlds are fictions, and they've made it their job to 'extract' innocent
victims at the moment of their deaths.They can hop
between literary worlds, sneaking around everything from crappy romantic novels
to the finest works of Shakespeare, but they must always operate in secret.
After all, for those still inhabiting the original tales, death is supposed to be
pretty final.
A whole nation
has built up around the industry of extraction and it's into this cultural
melting pot that Cathy is unexpectedly cast. But with a killer at large in her own
world, she's keen to make her way back home, even if that means keeping some
very strange company on the way.
Oh, and
there's a deranged saboteur making life a bit difficult, too.
So it's
basically a tale about tales; a book about books. An adventure in which our
young protagonist gets to run about in different genres, poking fun at the clichés
and generally peering behind metaphorical curtains. It's been fun to write.
Originally, given
the fact that everyone in this world was meant to have died in some other story,
I intended to call it "The Other Book of the Dead". Countless emails
have sped between me and my many indie writer friends, all with the subject
heading "TOBOTD". I quite liked the comic undertones of that, but one
or two commentators, including the ever-helpful Corben Duke, made the point
that a title like that might easily suggest a horror / straight fantasy. My
original cover design did little to dispel such misapprehensions.
The biscuit in
the bottom corner is a sort of comic motif associated with one of the main
characters but does the cover as a whole scream 'comedy'? Probably not.
So, for a
fresh perspective, I turned to a long-standing friend ('long-standing' here being
used as a more acceptable alternative to 'old'). Her name is Kath Walker, and Kath
draws people. All kinds of people. Beautiful, interesting, famous, and
notorious. There's often a whimsical feel to her drawings and she has a
cartoony style that I thought would be far better suited to conveying the
book's comic tendencies.
Kath knows
her stuff. She trained in Fine Art at Oxford University and, after a time spent
as a graphic designer, decided to become an illustrator. She's worked for numerous
publishers, as well as clients such as Google, Sainsbury’s, The Sunday Times
and the Scottish Government. Here's her website: http://www.kathwalker-illustration.co.uk.
We decided
that we could hint at the interconnected worlds with an Escher-style maze of
staircases and floating doorways, and reflect the literary allusions within the
story by substituting hardback books for landings. The result is better, I'm
sure you'll agree, than a skull, and old book and a Jammie Dodger.
So here we
are, with the cover finished and the manuscript going through its final proof
reading stages. All I have to do now is name the chapters and come up with some
witty and engaging blurb. That's going to be the hard bit, I think. One problem
with these so-called 'high concept' stories is that they're a bugger to distil down.
That's the next task on my list, so I'll leave you now while I work on it.
No comments:
Post a Comment